Ethnology

Archaeology

Cultural legacy

Fine Art

in development

Our dedicated team is diligently crafting a groundbreaking web page that will serve as an interactive journey through our past projects, showcasing our accomplishments and leaving a lasting legacy. Through interactive elements and captivating visuals, we aim to provide visitors with an engaging experience that not only highlights our achievements but also illustrates the depth of our expertise and the impact of our work. Stay tuned as we bring this remarkable creation to life!

Museum of Macedonian Struggle for Independence / December 2024

Promotion of the publication

Drawing cycle "Mariovo 1936 by Borko Lazeski"

We are pleased to share the success of the promotion of the publication Mariovo 1936 by the renowned Macedonian artist Borko Lazeski. The event took place at the Museum of Macedonian Struggle, offering an opportunity to rediscover the rich artistic legacy of one of Macedonia's most celebrated cultural figures.

The Mariovo 1936 publication presented exquisite drawings created by Borko Lazeski during his early years as an artist. These works, rendered in ink and pencil, captured the timeless beauty of the Mariovo region, reflecting Lazeski's profound connection to Macedonia's landscapes and traditions. This publication was a heartfelt tribute to Borko Lazeski’s genius, made possible by the dedication of his family and the generous support of the Ministry of Culture. It stood as a testament to the enduring value of preserving and sharing our cultural heritage with future generations. The event featured a publication presentation, insights into the artistic and historical context of Mariovo 1936, and an opportunity for attendees to connect with fellow art enthusiasts and cultural advocates.

We extend our gratitude to everyone who joined us in honoring the artistic brilliance of Borko Lazeski and the stories captured in his drawings of Mariovo. Together, we celebrated the spirit of Macedonian cultural heritage, ensuring it remains vibrant and cherished for years to come.

Museum and Gallery of Kavadarci / October 2024

In the glory of the wine and the vineyard

Exhibition

On October 5th, World Vranac Day, we presented the exhibition "In Glory of the Vineyard and the Wine" in partnership with the Museum and Gallery of Kavadarci.

The great wine tradition in our region, especially in the region of Tikvesh, which has the largest area of ​​vineyards and is the largest producer of wine, imposes an obligation on the promotion of wine culture. Wine has always been an inspiration for fine artists, poets and musicians who celebrate this divine drink with their works. At the exhibition, we've showcased the works of the artists Pavle Kuzmanoski, Simonida Kitanovska, Nikola Ivanov-Balton, Reshat Ameti, Petar Popchev, Stavre Dimitrov-Stadim, Ilia Spasov-Chendo, Maria Svetieva, Dimitar Malidanov, Done Milanovski, Denis Tenev, Rosica Lazeska and Kasiopea Naumovska. These are our well-known visual artists, and they are joined by the famous Austrian artist Bernhard Hollemann, a great supporter of Macedonia.

Museum of Macedonian Struggle for Independence / July 2024

Exhibition

Anatomy of the mural ILINDEN by Borko Lazeski

Borko Lazeski (1917–1993) was a Macedonian visual artist regarded as the pioneer of Macedonia's first postwar generation of academically educated artists. Lazeski studied at Belgrade's Academy of Fine Arts during 1933/34. Additionally, he continued his schooling in Bulgaria, attending the State Art Academy in Sofia, where he graduated in 1943. In early 1945, due to a French government scholarship, he attended the Paris National School of Fine Arts (École Nationale Supérieure des Beaux-Arts), in Dukos de la Haille's fresco painting department. Here, he uncovers monumental techniques, eventually becoming his artistic ambition. During his two-year stay in Paris, Borko Lazeski worked in the French artist André Lhote's studio, who played a key role in shaping Lazeski as an author. At the beginning of 1945, he participated in establishing the art school in Skopje and was one of the founders of the Association of Artists of Macedonia. Lazeski is the first CEO of the Art Gallery in Skopje (founded in 1948).

The theme of the Ilinden Uprising, which serves as a source of inspiration for the author, is depicted in various techniques and creative approaches throughout his artistic career. Anatomy of the mural "Ilinden 1903" is an analysis of the fresco of the same name by Borko Lazeski, which represents a significant part of the Macedonian cultural and historical heritage. This mural (260 x 520 cm), created in 1950 using the fresco-bono technique, is the first of its kind in our country. The subject focuses on a pivotal episode in Macedonian history, the Ilinden Uprising in 1903. The mural was located in the former Army Hall (JNA), which was demolished in the 1963 earthquake. In 1951, he was working on the painting "Mechkin Kamen" (oil on canvas, 300 x 500 cm), evidence shows that is located in Brijuni, Republic of Croatia. As well as information concerning the existence of another work on the same theme, which should be housed in the National Museum of Macedonia (referred to as the National Museum in the data). In a moving monument to 1903, the artist replicated his masterpiece in 1991, painting the walls of Krushevo's Montana Hotel with a faithful reproduction of the 1950 fresco. This significant piece of art, measuring 260 x 458 cm and rendered in acrylic, brings new life to the subject's timeless narrative. In the heart of Krushevo, a city steeped in the rich mosaic of Macedonian history, the "Montana" hotel becomes a suitable canvas for reviving this key moment in the past. Against the backdrop of the walls, the artist's strokes evoke the spirit of resistance and endurance that defined the Ilinden Uprising of 1903. Through the vivid hues and dynamic compositions of the acrylic reproduction, the artist captures the essence of Ilinden, inviting viewers to witness the courage and sacrifice of those who fought for freedom.

Within the framework of the exhibition, we present 24 sketches and drawings, precisely made by the author to serve as a plan for a monumental fresco. These sketches are not just preliminary studies, but rather cover a significant part of the author's artistic journey, offering a deep insight into his creative perception during that period. Each sketch demonstrates the author's natural aptitude, originality, and strong eye for detail, capturing moments and intricate nuances. The author expertly puts thoughts and feelings onto paper through these sketches, creating the groundwork for the fresco's completion. As viewers observe the intricate details of each sketch, they are invited to embark on a journey of discovery of the layers of meaning and symbolism woven into the artist's creation. It is important to note that in addition to the author's pioneering efforts in painting, there is a seven-year hiatus between Borko Lazeski and the first post-war academic fine artist. Borko Lazeski's artistic legacy has a lasting impact on Macedonian visual art and he is considered one of the most significant authors in Macedonian modern art. He left behind a rich body of work that reflects his creative development and the influence of the time and environment in which he worked. His work is distinguished by different styles, from realism to abstraction, and his works explore and present different aspects of Macedonian culture and identity.

Macedonian Cultural-Informative Centre - Istanbul, Turkey / July 2024

Exhibition

Mule Variations

Gjorge Jovanovik's drawings vividly explore the surreal and the symbolic, mixing elements of reality with fantastical visuals to create compelling narratives. Jovanovik's paintings use a combination of sharp, contrasting imagery to elicit questions and generate a powerful visual impression. Jovanovik's artistic method involves placing commonplace objects in exceptional circumstances, allowing viewers to explore the depth of symbolism concealed in his works. The elements he employs combine to create a strange and unsettling scene, echoing themes of vulnerability, security, and the uncertain nature of life.

Jovanovik's style is heavily influenced by Art Informel, which values spontaneity, freedom from convention, and emotional intensity. His drawings frequently deviate from traditional narrative patterns, favouring a more intuitive and pragmatic approach. This helps him to convey the fluid and often conflicting aspect of human experience, reflecting the complexity of today's reality. His collage-like techniques offer his creations a dynamic character, combining different textures, colours, and shapes to produce a cohesive but multi-layered composition. This strategy not only improves the visual appeal but also expands the options for interpretation, giving viewers numerous entryways into the artwork. Jovanovik's drawings are a powerful commentary on the human condition, combining humour, irony and deep insight to engage viewers on both an intellectual and emotional level. Through his inventive and intriguing compositions, he invites us to test our ideas of reality and welcome the unexpected.

Vladimir Lukash's drawings are a fascinating exploration of whimsy, humour, and the grotesque. His distinctive style combines intricate line work with a playful yet subversive approach to themes and subjects, and the drawings frequently look like they were pulled from a fictional narrative, filled with surreal characters and scenes that invite viewers to consider the deeper meanings behind the playful facade. Lukash frequently employs a monochromatic palette, emphasising the composition's dynamic and chaotic energy through striking black-and-white contrasts. The characters are drawn in a simplistic style that appears to be light-hearted and humorous at first. However, upon closer examination, the drawings show a layer of social commentary and introspection, addressing complicated sociopolitical circumstances through the lens of absurdity. Lukash's method is evocative of Art Informel, which emphasises spontaneity. His drawings have a raw immediacy, conveying the essence of his thoughts and views without regard for traditional artistic norms. This style enables him to explore themes such as the human condition, societal standards, and the absurdities of modern life while keeping visual coherence and creative integrity. His paintings frequently blur the lines between reality and imagination, resulting in a realm where the familiar meets the bizarre. This intersection is where Lukash's art excels, as he combines simple lines and curves to create a universe that is both intriguing and terrifying. The drawings invite viewers to interact with the artwork on numerous levels, ranging from admiring the technical talent to contemplating the underlying ideas. Overall, Vladimir Lukash's drawings demonstrate the strength of line art and the artist's ability to portray complex thoughts using seemingly basic techniques. His work is a charming and provocative voyage through the bizarre and real, making an indelible impression on everyone who meets it.

Vuk Mitevski's drawings exhibit a unique blend of abstract forms and symbolic elements, characterised by their bold lines and imaginative composition. The simplicity of his line work reveals the depth of the issues he investigates, resulting in a striking visual language that encourages viewers to probe deeper layers of meaning. Mitevski's artwork demonstrates the author's mastery of line and shape, focusing on minimalism to convey ideas and emotions. The interplay of geometric shapes and organic curves in his creations demonstrates a thorough awareness of the human form and its expression. These works, with their complex and flowing lines, capture the essence of Mitevski's style - an engaging dialogue between abstraction and figuration. Mitevski's drawings often draw inspiration from the principles of Art Informel, emphasizing spontaneity and the raw, immediate expression of the artist's inner world. His paintings are a tribute to the power of simplicity in art, demonstrating that even the most direct lines can provoke reactions and interpretation. Mitevski's art continues to challenge and expand the frontiers of contemporary drawing, mixing traditional methods with modern sensibilities to create works that are both timeless and stylistically appealing. He expresses himself through powerful lyricism that incorporates scenographic and sculptural aspects. Mitevski creates works in the tradition of neo-cubism, surrealism, and the Byzantine visual legacy, but in a contemporary setting. His works use an associative approach to interweave the abstract and symbolic parts of the perceived subject.

Youth Cultural Centre / April 2024

World ART Day

Museum of the City of Skopje / December 2023

Exhibition

Embark on a retrospective journey into the world of architectural innovation and design as we celebrated the remarkable career of Stevan Smilevski Kokan. This exhibition, titled "Architectural Odyssey," marked the 45th anniversary of his journey as an independent designer and a valuable participant in various project teams. Visitors had the opportunity to explore the evolution of Kokan's architectural vision, from its inception to the dynamic and impactful designs that left an indelible mark on the built environment.

Sound and Luminescence

Celebrating 45 Years of Stevan Smilevski Kokan" was a testament to the enduring legacy of an architect whose passion for design left an indelible mark on the architectural landscape. Visitors celebrated Kokan's journey, from the early years to the present, and discovered the visionary works that shaped the way we experienced and interacted with the built world.

Cultural Informative Centre - Skopje / December 2023

Exhibition

Kliment and Naum and their spiritual light

Step into a realm where spirituality intertwines with artistry as we present "Clement and Naum and their spiritual light". This meticulously curated exhibition, drawn from a private collection, unfolds as a captivating exploration of St. Kliment and St. Naum, two revered saints whose spiritual light has left an enduring impact. Through carefully selected artworks and artefacts, viewers are invited to delve into the lives and legacies of these saints, unveiling a rich content of spirituality, history, and artistic expression.

"Clement and Naum and their Spiritual Light" is a profound journey into the spiritual, historical, and artistic realms shaped by St. Kliment and St. Naum. Through this curated exhibition, viewers are not only invited to witness the tangible expressions of devotion but also to contemplate the enduring light these saints have cast upon the cultural and religious heritage of the region.

Artist studio - Skopje / November 2023

Borko Lazeski: Unexhibited works

In commemoration of the 30th anniversary of the passing of the great Macedonian fine artist, Borko Lazeski, we proudly presented an exhibition that pays tribute to his enduring legacy. Titled "Borko Lazeski: Unveiling a Legacy," this exhibition features a collection of previously unexhibited works created by the artist between 1937 and 1950. As we explore this exclusive showcase, we delve into the artistic evolution of Borko Lazeski, offering viewers a unique opportunity to witness the breadth and depth of his creative genius.

Exhibition

Embarked on a captivating journey into the heart of Macedonian cultural heritage with our project, "Ethnographic Treasures." Through the lens of the Macedonian Post Office's exquisite postal stamps, we invited participants to delve deep into the rich tapestry of Macedonian ethnology and folklore.

Our project meticulously examined how the Macedonian Post Office depicted the diverse cultural heritage of Macedonia through its postage stamps. From ancient rituals to traditional costumes, each stamp served as a window into the vibrant world of Macedonian ethnography.

Youth Cultural Centre - Skopje / September 2022

Macedonian ethnological cultural richness on the postal stamps of the Republic of North Macedonia

This project was supported by the City of Skopje and the Youth Cultural Centre.

Gallery Metanoya - Skopje / December 2022

Joy for the World

In December 2022, together with Metanoya Gallery and the Balkan Institute for Religion and Culture, we displayed the exhibition "Joy for the World". 

Exhibition

We've displayed a curated selection of works from Tomo Shijak, Tome Mishev, Done Miljanovski, Stavre Dimitrov-Stadim, Dancho Ordev, Strahil Petrovski, Goce Bozhurski, Jovan Shumkovski, Vana Uroshevik, Simonida Filipova Kitanovska, Vuk Mitevski, Miroslava Mikica Trujkanovik, Nove Frangovski and Dushan Perchinkov.

Old Bazaar - Skopje / July - August 2021

Art Unveiled: Rediscovering Old Skopje Bazaar

IKON embarked on a transformative project titled "Art Unveiled: Rediscovering Old Skopje Bazaar." This innovative endeavour sought to elevate awareness of the historical significance of the Old Skopje Bazaar by placing originals and copies of diverse artworks in several unconventional spaces within the bazaar. The project aimed to forge a unique connection between the rich artistic heritage of the city and the historical meaning of the Old Bazaar, encouraging a renewed appreciation for its cultural and architectural importance.

The heart of the project lies in showcasing works by artists spanning different generations. Originals and copies of paintings, sculptures, and artistic expressions were strategically placed in non-standard spaces within the Old Skopje Bazaar, creating an immersive experience that transcended traditional gallery settings.

"Art Unveiled: Rediscovering Old Skopje Bazaar" transcended the traditional boundaries of art and history, creating a dynamic intersection that invited both locals and visitors to reimagine and reconnect with the historical heart of Skopje. By integrating art into the narrative of the Old Skopje Bazaar, the project not only preserved its unique charm but also instilled a renewed sense of pride and awareness among those who play a role in its ongoing story.

Internationalen Haus Hans-Sach-Platz, Nuremberg 2012

Exhibition

Colors of Macedonia by Vladimir Arsovski

In 2012, Ikon proudly organized a captivating photography exhibition, "Colors of Macedonia," featuring the works of the esteemed photographer Vladimir Arsovski. This visual journey into the heart of Macedonia unfolded within the Internationalen Haus in Nuremberg, Germany, providing visitors with a unique opportunity to explore the rich cultural variety of Macedonia through the lens of one of its most talented photographers.

"Colors of Macedonia" at the Internationalen Haus in Nuremberg in 2012 was a testament to Vladimir Arsovski's ability to capture the soul of a nation through the lens of his camera. The exhibition served as a visual symphony, harmonizing landscapes, and traditions in a celebration of Macedonia's rich cultural heritage. Ikon's organization of this exhibition created an opportunity for cross-cultural appreciation and dialogue, further establishing Arsovski's work on the international stage.

Internationalen Haus Hans-Sach-Platz, Nuremberg 2012

Exhibition

Bernhard Holleman

Bernhard Hollemann (1935 - 2020), originally from Lower Saxony, Germany, moved to Austria in 1959 to study at the Academy of Fine Arts Vienna. Mentored by renowned professors, he earned his diploma in 1973 and later became an Austrian citizen and a professor in 1989.

Throughout his career, Hollemann's art gained international acclaim, showcased in exhibitions and competitions across Europe. He was an active member of prestigious art associations and engaged in community service, including advising the Baden-Helenental Lions Club on artistic matters.

While Hollemann's artistic pursuits garnered international recognition, his bond with Macedonia was particularly strong. He found inspiration in the country's wine landscapes and natural beauty, leading to numerous exhibitions there. Additionally, his affiliation with the Association for Culture Ikon facilitated exhibitions both within Macedonia and abroad, further solidifying his presence in the global art scene.

Hollemann's legacy extends beyond his exhibitions, encompassing his active involvement in prestigious art associations and his dedication to nurturing artistic talent. Through his work and collaborations, he left an indelible mark on both the Austrian and Macedonian artistic communities.

Mantis von Alfa bis Omega

Museum of the city of Skopje / December 2010 // The Memorial House of Robevci, Ohrid / May 2011

Exhibition

OUR SPIRITUAL LIGHT

We've encouraged the audience to experience the luminous presence of St. Kliment, who is noted for his profound scholarly accomplishments and eternal faith. Notice visuals of his teachings, academic interests, and the sanctity of his life, all represented with superb brushstrokes and detailed detail.

Through meticulously selected artworks and objects, audiences were invited to explore the lives and legacies of these saints, revealing a complex web of spirituality, history, and artistic expression.

Journey alongside St. Naum, a beacon of compassion and enlightenment whose spiritual guidance continues to inspire generations. Witnessing his acts of kindness, his miraculous deeds, and the serenity of his contemplative spirit.

St. Kliment & St. Naum

The Slovak Embassy in Macedonia, as well as the Institute for the Protection of Cultural Monuments and Museums in Ohrid, supported the event.

Art Centre, Berlin 2009

Exhibition

Kuzmanovski: A blend between skill and the personal stamp of imagination

In 2009, the Association for Culture IKON presented an important exhibition, providing a riveting platform for the artist Kuzmanovski to showcase his talents and works.

Within the walls of his studio, Kuzmanovski's artistic vision flourished, resulting in a vast collection of captivating paintings that showcased his talent and versatility. Each artwork was imbued with a unique blend of emotion, skill, and cultural influence, reflecting both his personal journey and the broader artistic landscape of Macedonia.

Born in Tetovo in 1939, Kuzmanovski's artistic journey began against the backdrop of his hometown's rich cultural heritage. After years of dedicated study and creative exploration, he achieved a significant milestone in 1966 by graduating from the renowned Academy of Applied Arts in Belgrade, Serbia. Armed with knowledge and inspired by his experiences, Kuzmanovski returned to Tetovo, where he established his studio.

Kuzmanovski's involvement in the IKON show not only confirmed his reputation as an authority in the Macedonian art scene but also contributed to the cultural discussion and interchange encouraged by the Association for Culture IKON. His enduring legacy continues to inspire fellow artists and art enthusiasts, reminding us of the enormous impact that creativity and expression have on the human experience.

Art Point Gallery - Belgrade, Serbia / May - June 2023 // Museum of the city of Skopje / August 2008

Chemerski: The hand sees

In a monumental celebration of Macedonian artistry, IKON gladly promoted a retrospective exhibition honouring the great artist Gligor Chemerski. This show, which took place in two major venues - Art Point Gallery in Belgrade and Skopje City Museum - provided a complete glimpse into Chemerski's brilliant career and significant artistic contribution.

Exhibition

"Gligor Chemerski: The hend sees" in 2008 at Art Point Gallery in Belgrade and Skopje City Museum was a landmark event that celebrated the life and works of one of Macedonia's most esteemed artists. Through meticulous curation and strategic venue selection, IKON provided audiences with a captivating glimpse into Chemerski's artistic journey and reaffirmed his enduring legacy within the cultural landscape of both Serbia and Macedonia.

Salon Impuls - Skopje / March 2008

Exhibition

Julijana Geshovska

In 2008, IKON presented an exhibition at Salon Impuls in Skopje, dedicated to showcasing the visionary works of artist Julijana Gesovska. Titled "01.01.200? 12:00 hour" this exhibition provided a platform for art enthusiasts in the captivating world of Gesovska's artistry.

By showcasing Gesovska's artistry in a dynamic and engaging environment, IKON provided a platform for audiences to connect with Gesovska's creative vision and explore the depths of her artistic universe.

01.01.200? 12:00 hour

BALKAN SPIRIT

Hotel Makoshped - Ohrid / December 2007 / August 2008 / September 2009 // Hotel St. Naum - Ohrid / June 2010 / August 2011 / August 2012 / September 2013

The International Art Colony "Balkan Spirit" graced the picturesque city of Ohrid for three consecutive years from 2007 to 2009. Organized by the Association for Culture Ikon in collaboration with the unwavering support of the Foundation for Strategic Research - Kiro Gligorov, this event became a vibrant celebration of artistic expression, cultural exchange, and creativity.

International art colony

Despite the shift in plans, the core mission of the Balkan Spirit Art Colony remains unchanged — to serve as a melting pot of creativity, a platform for cultural exchange, and a catalyst for the flourishing of artistic expression. IKON remains committed to exploring avenues for future collaborations and the realization of the original vision for the itinerant art colony in the years to come.

Originally intended to travel between different Balkan countries each year, the Balkan Spirit Art Colony concept was altered. Due to difficulties in obtaining sufficient backing from the Ministry of Culture for this type of cross-country collaboration, the second and third editions were conducted in Ohrid again.

The vibrant artworks born from the International Art Colony - "Balkan Spirit" found their rightful showcase in the Cultural Informative Centre-Skopje (2007,2008) and the esteemed National Gallery of Macedonia (2009).

The echoes of the Balkan Spirit resonated through these exhibitions, bringing a fusion of international perspectives to the local and national audiences, and creating a cultural dialogue that extended beyond the confines of the art colony itself.

Vladimir Arsovski

National Gallery of N Macedonia / December 2006

Exhibition

A world of visual poetry and narrative precision as we proudly present a captivating photo exhibition featuring the remarkable works of Vladimir Arsovski. Through his lens, Arsovski invites viewers to explore the beauty, emotion, and intricate details of the female body

TOGETHER - Magnificent unity of diversity

Museum of the city of Skopje / May 2006

"Together - Magnificent Unity of Diversity," a remarkable exhibition showcasing a curated selection of paintings created by talented artists during art colonies organised by Ikon. This exhibition celebrates the power of unity in diversity, highlighting the unique perspectives and artistic expressions that emerge when artists come together to create in a collaborative environment.

Exhibition

The Essence of Unity: The first section of the exhibition invites visitors to explore the essence of unity through a collection of paintings that demonstrate the harmonious blend of diverse styles, techniques, and inspirations. Witnessing the seamless integration of artistic voices, forming a cohesive narrative that transcends individual boundaries.

Colors of Diversity: In this section, immerse yourself in a vibrant display of colors that represent the rich diversity of artistic palettes. From bold and expressive strokes to subtle and nuanced hues, each painting tells a story of its own, contributing to the kaleidoscope of creativity that defines the collective spirit of the art colonies.

Eclipse by Denis Bowen 2002 mixed media 80 x 100 cm

Textile workshop

Kapan An - Skopje / July 2006

The textile workshop with Professor Hans Herpih from Nuremberg was a dynamic and enriching artistic venture that converged the expertise of a seasoned professional with the creative aspirations of participants. This textile-focused workshop provides a hands-on exploration of various textile techniques under the expert guidance of Professor Herpih, offering a platform for artistic expression and skill development.

Textile workshop with prof. Hans Herpih

Professor Hans Herpih, renowned for his expertise in textiles, becomes the guiding force behind the workshop. His wealth of knowledge, innovative approaches, and mastery of textile techniques served as an invaluable resource for participants eager to delve into the world of textile arts.

Professor Herpih encouraged the participants to unleash their creativity, providing a supportive environment for artistic experimentation. The workshop was a space where individual voices were celebrated, and participants were empowered to translate their ideas into tangible textile creations.

The workshop emphasized a hands-on learning approach, allowing participants to actively engage with woven textile materials. This immersive experience fosters a deeper understanding of the artistic possibilities inherent in the realm of textiles.

Professor Herpih's role extends beyond theoretical instruction; he provides in-depth technical guidance. Participants benefit from his expertise in material selection, colour theory, and advanced textile manipulation, gaining insights that elevate their artistic capabilities.

The culmination of the workshop involves an exhibition showcasing the diverse and innovative textile artworks created by participants. This public display provides a platform for participants to share their artistic journey and achievements with a broader audience.

The collaborative and communal aspects of the workshop contribute to the building of a supportive artistic community. Participants form connections, share experiences, and continue to inspire each other beyond the confines of the workshop.

RELIGION & MODERN ART

Gallery MC - New York, USA / October 2005 // National Gallery of Macedonia / 2017

The exhibition "Religion and Art" serves as a contemplative exploration at the intersection of spirituality and artistic expression, providing a platform for artists to convey the profound and diverse ways in which religious themes influence and inspire their creations. This curated showcase invites viewers to delve into the complex relationship between religion and art, examining the nuanced ways in which belief systems, sacred narratives, and spiritual symbolism manifest in various artistic forms.

Exhibition

Artists capture the essence of religious rituals and ceremonies, depicting the vibrant and ceremonial aspects of various faiths. The exhibition provides a visual journey through sacred practices, highlighting the communal and symbolic significance embedded in religious ceremonies.

"Religion and Art" brings together a diverse array of artworks that draw inspiration from various religious traditions, beliefs, and spiritual philosophies. The curation aims to showcase the universal and timeless themes that emerge when artistic expression intersects with the sacred.

The exhibition fosters an interfaith dialogue through art, creating a space where artists from different religious backgrounds can share their interpretations and representations. This dialogue seeks to promote understanding, tolerance, and appreciation for the richness of diverse spiritual perspectives.

This selection delves into the rich tradition of religious iconography and symbolism. Artists explore the use of symbols, imagery, and iconographic representations to convey spiritual narratives, sacred figures, and the transcendent aspects of belief systems.

"Religion and Art" is not merely an exhibition but a profound journey into the diverse landscapes of human spirituality. Through a rich tapestry of artistic expressions, the exhibition invites viewers to explore the universal themes that connect humanity across different faiths and belief systems. By fostering a dialogue between religion and art, the exhibition becomes a testament to the enduring and transformative power of both realms in shaping the human experience.

In 2005 this exhibition was presented at the Macedonian Cultural Centre - MC Gallery in New York, USA.

In 2017 this exhibition was organised for the celebration of the 15th of April - World Art Day, and was supported by the National Gallery of Macedonia and the Municipality of Centre-Skopje.

2004

Book edition

Omer Kaleshi

University Ss Cyril and Methodius - Faculty of Fine Arts, 2004

Workshop

Digital Art challenge in connecting people and cultures

In the vibrant year of 2004, the Association for Culture Ikon collaborated with the esteemed Faculty of Fine Arts in Skopje to host an innovative workshop focusing on the realms of digital art and cultural connectivity. The workshop aimed to unite individuals/students with a passion for digital art, providing a platform to explore and celebrate the intersections between diverse cultures.

The "Digital Art Challenge in Connecting People and Cultures" workshop left a lasting impact on the participants, contributing to a richer understanding of the role that digital art may play in fostering cultural connections.

FLOWER AND ROOT

Hotel Dva bisera - Ohrid, December 2003 / 2004

The genesis of the "Flower and Root" art colony unfolds as a tale deeply rooted in the concept of connection. Nestled in the heart of Macedonia, a land where numerous roads and civilizations intersect, the art colony is conceived as a celebration of the rich mosaic of cultures and landscapes that define this remarkable region.

International art colony

The choice of the name "Flower and Root" is symbolic. The flower represents the blossoming creativity and artistic expression that the colony aims to nurture. Meanwhile, the root signifies the deep connection to the cultural roots of Macedonia. Together, they encapsulate the idea of growth and sustenance rooted in a rich cultural soil.

This art colony was convened over two subsequent years: 2003 and 2004.

Beyond artistic pursuits, "Flower and Root" becomes a platform for cultural dialogues. Artists engage in discussions, sharing their insights into the cultural heritage of Macedonia and how it influences their creative processes. These dialogues further strengthen the bonds between participants.

Worldwide project, 2003 - Current

Art project

MAIL ART

The "Mail Art" project is a unique and collaborative artistic endeavour that transcends geographical boundaries, connecting people from around the world through the medium of printed cards. The concept is both simple and profound: printed cards serve as blank canvases, distributed to individuals across the globe with an invitation to contribute their artistic expressions. The cards, once adorned with original drawings, are then sent back via postal mail, creating a global network of shared creativity.

At the heart of this project is the idea of fostering a sense of community and interconnectedness through art. The printed cards act as carriers of creative potential, travelling between diverse individuals and artists who, despite being separated by physical distances, are brought together through a shared artistic journey.

The process begins with the distribution of these printed cards to people from various corners of the world. Each participant is encouraged to infuse their unique perspectives, styles, and inspirations onto the card, transforming it into a personalised work of art. The act of drawing on these cards becomes a form of communication that goes beyond words, expressing individual narratives and cultural influences.

As the completed cards make their way back through the postal system, they become tangible tokens of the collaborative effort put forth by artists and participants worldwide. The journey of each card, marked by the stamps, postmarks, and signatures it accumulates along the way, tells a story of its own—an artistic narrative that transcends borders and unites creative minds.

The resulting collection of these exchanged artworks forms a diverse and eclectic gallery of global perspectives, offering a snapshot of the interconnectedness of the global artistic community. "Mail Art" becomes not just an art project but a testament to the power of creativity to forge connections and break down barriers, one postcard at a time. Through this project, participants share not only their artistic expressions but also a sense of camaraderie and the joy of connecting with like-minded individuals across the world.

Museum of the City of Skopje, February - March 2003

Exhibition

GLOBALIZATION and IDENTITY

The "Globalization and Identity" exhibition, organized by Ikon and the Museum of the City of Skopje, serves as a thought-provoking exploration of the complex interplay between the globalized world and individual identity. Through a curated collection of diverse artworks, the exhibition delves into the multifaceted ways in which globalization impacts our sense of self and belonging.

In this globalized era, where borders blur and cultures intersect, artists from around the world contribute to a complex variety of perspectives on identity. The exhibition offers a detailed examination of how globalization influences, challenges, and reshapes personal and collective identities. Through various mediums, the artists engage with themes of cultural exchange, migration, hybridity, and the negotiation of one's identity in a global context.

Through this exhibition, we invited one to explore the vibrant and diverse narratives that emerge when art becomes a mirror reflecting the intricate dance between the global and the individual, offering insights into the ongoing quest for self-discovery and connection in an ever-changing world.

This project was supported by the Ministry of Culture of N Macedonia and UNHCR.

TOGETHER - DEBAR

Social Home Skopje - Debar, N. Macedonia, August 2002 / 2003 / 2004

The merging of artistic endeavours within the "Together" art colony signifies a powerful and enduring friendship between the Association for Culture IKON in Skopje and the Social Home "Skopje" in Debar. The exhibition "Art Colony TOGETHER - Debar" serves as both a celebration and an expression of gratitude to the artists, volunteers, and viewers who have been pivotal in the success of this collaborative venture. It's worth noting that this artistic collaboration continued over three subsequent years, marking a sustained commitment to shared creativity and companionship.

International art colony

The colony was supported by the Foundation Open Society Institute - Macedonia, Pro-Helvetia, and from 2003 by the Ministry of Culture of N.Macedonia.

The "Together" art colony stands as a symbol of a profound alliance. The merging of artistic forces from Skopje and Debar goes beyond the canvas, embodying a shared commitment to cultural exchange, friendship, and the transformative power of art.

Integral to the exhibition's vision is the recognition of viewers as active participants. The audience, as spectators of the artworks, contributes to the vibrancy of the artistic experience. Their engagement is crucial in realizing the broader vision of art as a communal and shared endeavour.

The continued convening of the art colony over three subsequent years—2002, 2003, and 2004—underscores a sustained commitment to collaboration. This prolonged engagement reflects a dedication to nurturing artistic friendships, cultural understanding, and the evolution of shared artistic expressions.

Museum of Contemporary Art - Skopje December 2002

International art colony

THE HOUSE - THE CHAOS

The Art Colony with a Round Table and Exhibition "The House-the Chaos" is a profound and symbolic initiative that brings together female painters from regions marked by armed confrontations and conflicts, namely Albania, Croatia, Slovenia, Bosnia and Herzegovina, Moldova, and Macedonia.

It represents a harmonious blend of creativity, dialogue, and healing. By providing a platform for female artists from conflict-affected regions, this initiative aims to amplify their voices, foster understanding, and contribute to the broader narrative of resilience and hope emerging from challenging circumstances. Through art, these women reclaim their narratives, redefine their spaces, and invite audiences to engage in a profound dialogue about the power of creativity in the face of chaos.

The Art Colony serves as a creative haven where female artists from these conflict-affected regions can gather, collaborate, and share their experiences through art. The round table discussions become a space for open dialogue, enabling participants to explore the complexities of their shared histories, cultural backgrounds, and the impact of conflict on their lives and artistic practices. The circular arrangement of the table symbolises unity, equality, and the interconnectedness of the participating artists.

Museum of Contemporary Art - Skopje / December 2002

New Year's Workshop at the museum

Painting on crossroad

As we welcomed the New Year of 2003, the Museum of Contemporary Art celebrated the occasion by hosting an extraordinary event – a special workshop titled "Painting on Crossroad." This unique experience showcased the talents of eight exceptionally skilled artists, each contributing their distinct perspectives to the canvas of creativity.

The workshop served as a melting pot of artistic diversity, providing a platform for the convergence of various styles, techniques, and inspirations. The collaborative atmosphere cultivated by the participating artists resulted in vibrant artworks of colors, forms, and ideas – a testament to the richness of contemporary art.

The Museum of Contemporary Art takes pride in fostering such collaborative experiences, recognizing the significance of bringing together diverse voices within the artistic community. Through events like these, we aim to inspire both the artists and the audience, encouraging a shared appreciation for creativity and the limitless avenues it opens.

Looking back on the "Painting on Crossroad" workshop, we are reminded of art's ability to connect, inspire, and usher in new chapters. We hope that this celebration of artistic expression will continue to resonate and ripple through the corridors of our museum, echoing the spirit of a vibrant and transformative New Year.

Cultural Informative Centre - Skopje / July 2002

Printmaking workshop with prof. Kostadin Tancev - Dinka

SILK SCREEN

The NGO Association for Culture IKON demonstrates a profound commitment to social harmony and equal citizenship by actively engaging in cultural programs aimed at alleviating inter-ethnic tensions within the country. Acknowledging the collective efforts of both domestic and international communities, the organization views its cultural initiatives as a meaningful contribution to the establishment of a society where citizens, regardless of their religious or national backgrounds, can coexist on equal terms.

The project was supported by the Foundation Open Society Institute - Macedonia, the European Cultural Foundation, UNHCR, the Cultural Informative Centre - Skopje, and the Euro Business Centre - Skopje.

Recognizing the transformative potential of art, IKON focuses on supporting and enhancing the artistic skills of participants. Through mentorship, guidance, and practical experiences, artists are empowered to express themselves creatively, fostering a deeper appreciation for the shared humanity that unites them.

The association expresses gratitude for the invaluable contribution of Professor Kostadin Tanchev - Dinka, an expert in the field of screen printing. His professional guidance not only imparts technical expertise but also serves as a bridge between the artistic process and the broader cultural goals of IKON.

IKON extends its gratitude to the artists who actively participated in the workshops. Their commitment to the creative process becomes a testament to the potential of art as a unifying force, breaking down barriers and fostering understanding.

IKON envisions the continued impact of its cultural programs, with the hope that the friendships forged and skills developed within the workshops will extend beyond the artistic realm, influencing broader societal attitudes.

Artist Studio / May 2002

Printmaking workshop with Prof. Dimitar Malidanov

DRY POINT

The "Dry Point" workshop, led by Professor Dimitar Malidanov, stands as a unique and enriching artistic endeavour that delves into the intricacies of the drypoint printmaking technique. This workshop not only provides participants with a technical understanding of drypoint but also serves as a platform for creative exploration and collaboration under the expert guidance of Professor Malidanov.

The project was in collaboration with the Association of Artists of Macedonia. The Foundation Open Society Institute Macedonia, Pro-Helvetia, UNHCR and the Embassy of the Netherlands supported this project.

The workshop commences with a comprehensive introduction to the drypoint printmaking technique. Professor Malidanov, with his expertise, guides participants through the history, principles, and nuances of drypoint, elucidating its unique characteristics and the artistic possibilities it offers.

Throughout the workshop, Professor Malidanov facilitates group critique sessions where participants can share their works, discuss challenges, and receive constructive feedback. This collaborative atmosphere encourages a dynamic exchange of ideas and perspectives, enriching the learning experience for all involved.

The workshop culminates in a showcase where participants have the opportunity to exhibit their drypoint prints. This public exhibition not only celebrates the artistic achievements of the participants but also highlights the diverse and innovative approaches that emerge from the workshop.

Art caravan in 10 Macedonian cities / 01-23 January 2002

Exhibition

ART CAN

The Art Caravan embarked on an inspiring journey, weaving through the fabric of 10 Macedonian cities arranged in the form of an open circle—a symbolic link designed to mend the frayed threads of trust in the community. What began as a mission to recover disturbed trust evolved into an unexpectedly heartening and expansive endeavour, aptly demonstrating that art has the power to transcend boundaries and unite people.

The project was supported by the Foundation Open Society Institute - Macedonia, the European Cultural Foundation, Catholic Relief Services, Gemak, UNHCR, Pro-Helvetia

The choice of arranging the cities in the form of an open circle carries profound symbolism. It symbolizes a collective effort to close the gap of distrust and build connections among communities. The circular arrangement metaphorically represents the interconnectedness of the cities, emphasizing unity and collaboration.

The mobile Art Caravan serves as a vehicle for recovering trust, and the circular route becomes a visual reminder of the continuous, unbroken effort to rebuild connections. The artists, through their creativity, act as catalysts in the process of healing and rebuilding a sense of mutual understanding.

One of the most surprising and heartwarming aspects of the journey was the overwhelming response from artists of different nationalities. The call for participation in the Art Caravan resonated far and wide, attracting a remarkable 51 artists—three times more than initially planned. This unexpected turnout reinforced the idea that art possesses a universal language that can bridge divides.

The Mobile Art Colony, with its unexpected surprises and overwhelming support, emerged as more than just an artistic journey. It became a testament to the transformative power of art in rebuilding trust and fostering unity. The collaboration of diverse artists, the warm reception from communities, and the media's enthusiastic promotion all underscored the idea that, indeed, Art Can. This winter journey, arranged in the symbolic circle, stands as a beacon of hope and creativity, inspiring communities to come together and heal through the universal language of art.

Museum of Contemporary Art - Skopje / July 2001

Exhibition

I AND THE OTHER

The exhibition I & the Other is meant to present the relevant current situation of a part of the artistic scene in the Republic through works of young artists of different nationalities who live in different parts of Skopje, Tetovo, Kumanovo and Gostivar.

Sarah Einik, Sergej Andreevski, Resat Ahmeti, Ibrahim Bedi, Nevzat Bejtuli-Kica, Zaneta Gelevska Veljanovska, Baskim Kerimi, Maya Raunik Kirkov, Margarita Kiselicka, Miroslav Masin, Baskim Medziti, Elaine Milford, Maria Pavlovska, Marina Plantinga, Ismet Ramicevik, Vana Urosevik, Emil Sulajkovski.

The project was supported by the Ministry of Culture of N.Macedonia, UNHCR

Museum of Macedonia / 2001

"See Your City, Touch Your Cultural Heritage" was an innovative exhibition designed exclusively for individuals with visual impairments, aiming to provide a multisensory experience that goes beyond the traditional visual-centric approach. The exhibition strives to break down barriers and create an inclusive space where everyone, regardless of their ability to see, can engage with and appreciate their surroundings.

Exhibition

SEE YOUR CITY AND TOUCH YOUR CULTURAL HERITAGE

The concept behind was to transform the way we perceive and connect with our urban environments and cultural legacies. By focusing on tactile, auditory, and olfactory elements, the exhibition invites participants to explore their city and cultural heritage through a complex web of non-visual sensations.

Visitors were encouraged to embark on a journey of discovery as they navigated through carefully curated exhibits that highlighted key aspects of their city's history, architecture, and cultural identity. Tactile displays, 3D models, and textured surfaces provide a hands-on experience, allowing participants to physically feel and touch the intricate details of landmarks, monuments, and artefacts.

Interactive workshops and guided tours led by experts further enhanced the experience, fostering a sense of community and connection among participants. The exhibition was not just a showcase of objects but a celebration of the rich texture that makes each city unique.

Cultural Informative Centre - Skopje / February 2001

Poetical - artistic map

20 plus 20

The "Twenty plus Twenty" art-poetic map is not merely a collection of disparate elements but a cohesive and meticulously crafted entity. It stands as a testament to the collaborative spirit between artists and writers, showcasing how these two distinct forms of expression can interweave to create a complex web of meaning and emotion.

The captivating art illustrations featured in this extraordinary project are the masterpieces of renowned Macedonian artists, each of whom has lent their creative prowess to visually interpret the profound verses penned by 20 distinguished Macedonian writers. This symbiotic fusion of visual and literary arts has given birth to a remarkable creation known as the "Twenty plus Twenty" art-poetic map—a singular, one-of-a-kind masterpiece that transcends the boundaries between poetry and visual expression.

Within this exclusive compilation, the viewer is treated to a harmonious blend of graphic visuals that serve as a visual counterpart to the evocative poetry contributed by the diverse array of Macedonian literary talents. Each illustration is a testament to the artist's ability to encapsulate the essence of the written word, breathing life into the verses and allowing them to resonate on a visual plane.

What sets this creation apart is its exclusivity—the entire ensemble exists in a single, unique sample. The singularity of this art-poetic map endows it with a rare and elevated status, making it a truly exceptional piece in the realm of artistic and poetic endeavours. As a unified work of art, it possesses a singular voice that resonates with the collective spirit of Macedonian creativity.

Artist studio / December 2000

Print-making workshop with Prof. Petar Hadzi Boskov

MONOTYPE

The Association for Culture IKON embraces a noble and transformative initiative as it establishes art workshops with the primary objective of fostering stronger inter-ethnic relations within the Republic of Macedonia. Positioned as a fundamental goal and principle, this program is a cornerstone in the association's commitment to promoting civil society through cultural initiatives. With a vision grounded in the transformative power of the arts, these workshops become a conduit for fostering understanding, collaboration, and unity among diverse ethnic communities.

The artists participating in this graphic workshop: Bashkim Kerimi, Dijana Tomik Radevska, Miroslav Masin, Luan Zenki, Nina Gestakovska Cvetkovska, Ibrahim Bedi, Margarita Kiselicka and Saso Sazdovski, showed that they have overcome the inter-ethnic misunderstandings and conflicts, that the art can help in stepping closer to a civil society.

The project was supported by the Foundation Open Society Institute - Macedonia, UNHCR, Pro-Helvetia

The association recognizes the profound impact that cultural engagement can have on promoting unity and understanding. By leveraging the arts, specifically through art workshops, IKON seeks to contribute to the building of a more cohesive and harmonious society in Macedonia.

The core mission of IKON extends beyond the realm of art to the broader concept of civil society empowerment. By creating spaces for artistic expression and dialogue, the association aims to nurture a sense of shared identity and purpose among the people of Macedonia.

Monotype as a Medium: Professor Petar Hadzi Boskov plays a pivotal role in the workshops, particularly in the exploration of monotype as an artistic medium. His expertise brings depth to the understanding of this unique printmaking technique, which can serve as a metaphor for the unity and singularity that can emerge from diversity.

Professor Boskov's contribution extends beyond technical proficiency; he becomes a cultural bridge builder. His insights and teachings not only enrich participants' artistic skills but also provide a deeper understanding of the cultural nuances that shape Macedonia's diverse communities.

300 Summer str. Studio 33 - Boston, USA / October 2000

Exhibition

METAMORFOSIS by Klime Korobar

The 21st Open Studio concept in Boston serves as an ideal backdrop for the "Metamorphoses" exhibition. This concept, known for its celebration of diverse artistic expressions, creates an immersive and inclusive environment where artists can connect with the audience and showcase their innovative works.

"Metamorphoses" dives into the realm of photography as a medium, capturing moments of change and evolution. The exhibition aims to transport viewers into the unique atmospheres of the Kitka 2000 (wood) and Resen colony (fire), providing glimpses into the transformative processes that took place during these artistic endeavours.

The heart of the exhibition lies in the metamorphosis of objects documented by the artist. The lens captures the essence of change as witnessed in the art colony Kitka 2000, where wood serves as a medium of transformation, and in the Resen colony, where the transformative power of fire is harnessed.

Visitors to the "Metamorphoses" exhibition are invited to engage with the transformative journey captured in each photograph. The immersive experience encourages contemplation of the artistic process, the relationship between the artist and the medium, and the profound beauty found in the evolution of objects.

Beyond the visual appeal, the exhibition carries a symbolic resonance. It invites viewers to consider their own processes of metamorphosis and transformation, both as individuals and as part of a larger cultural and artistic context.

Edition of the book

Cultural Informative Centre - Skopje / September 2000

"Spice of Mandragora" by Vladimir Korobar is a collection of short stories that intricately explores the essence of intentionally chosen characters, skillfully narrated through five compelling cycles.

SPICE OF MANDRAGORA by Vladimir Korobar

The author, known for his role as the editor of the cultural program at Macedonian Radio's second channel, utilises this literary creation to celebrate and commemorate a remarkable milestone – 30 years of dedicated service as both a journalist and a writer.

TOGETHER - KITKA 2000

Kitka, N. Macedonia / 21 July - 4 August 2000 / 2001

Based on the successful collaboration between the two sister cities, Skopje and Nurnberg, the Association for Culture Ikon, Skopje, developed a proposal idea to organise an Art Colony involving artists from both sister cities. This proposal project was addressed to the mayors of both cities, as well as the official departments responsible for international collaboration. Both parties welcomed the planned project and agreed to finance it equally because it would increase (strengthen) cultural collaboration between the two cities. It's especially notable that neither city had any organised art colonies so far.

International art colony of the twin cities of Skopje and Nurnberg

The initiative is the outcome of the cooperation between the Association for Culture IKON, the Cultural Informative Centre in Skopje, City of Skopje & City of Nurnberg.

This art colony was convened over two subsequent years: 2000 and 2001.

Gallery Vladimir Dimitrov - Kyustendil, Bulgaria / June 2000 // Gallery Sredec - Sofia, Bulgaria / August 2000 // National Gallery of Macedonia / June 2004 // National Gallery of Macedonia December 2006 // Museum Kumonovo / June 2007 // Museum of the City of Skopje / September 2008 // National Gallery of Macedonia / May 2021

Exhibition

Denis Bowen

Born in 1921 in South Africa, Denis Bowen was educated in England, studying at Huddersfield School of Art and following war service in the Royal Navy, at the Royal College of Art. Bowen became one of the chief proponents of Tachist abstract art both in his painting and in his commitment to introducing a huge array of artists through the New Vision Centre Gallery that he founded in 1956. Bowen taught at many art schools including the Royal College of Art. His work has been exhibited widely throughout his career and is held in numerous public collections at home and abroad, including the TATE, the V&A, the British Museum and the National Galleries of Israel, Italy, Poland and Macedonia. Throughout his career, Denis Bowen retained a commitment to the spirit of experimental art.

In 2000, IKON organized a captivating exhibition featuring the works of Denis Bowen in both Kyustendil and Sofia, Bulgaria. This special showcase provided art enthusiasts in Bulgaria with the opportunity to experience the brilliance and diverse artistic expressions of Denis Bowen, a renowned artist known for his profound connection to the beauty of the world. By bringing Bowen's masterpieces to these cities, the exhibition allowed the Bulgarian audience to connect with the artist's vision, creativity, and the timeless beauty encapsulated in his works.

In commemoration of the centenary of Denis Bowen's birth in 2021, IKON proudly presented a special exhibition at the National Gallery of Macedonia. This curated showcase offered an intimate glimpse into the remarkable artistic journey of Denis Bowen, featuring a collection of works created during his time in Macedonia. The exhibition celebrated the enduring legacy of this influential artist and his profound connection to the Macedonian landscape and culture.

"Denis Bowen: A Centennial Tribute" invited art enthusiasts and the public to celebrate the extraordinary life and artistic contributions of Denis Bowen. The exhibition was a testament to his deep connection to Macedonia and the indelible mark he left on the world of art. Visitors joined in commemorating Denis Bowen's 100th birthday as the exhibition paid homage to his artistic brilliance and the timeless beauty captured in his works.

In the year 2021, a powerful editorial titled "North Macedonia pays tribute to the 100th birth of Denis Bowen" authored by Marija Korobar graced the pages of the prestigious British "Art and Museum" Magazine. This editorial served as a poignant tribute to the acclaimed artist Denis Bowen, underscoring the profound impact of his work and the resonance it holds within the artistic community in Macedonia.

Denis Bowen's deep affection for Macedonia is evident in the profound legacy he left through his extensive body of work in the country. His love for Macedonia, its landscapes, people, and cultural richness, served as a constant muse for his artistic expression. Bowen's contributions to the Macedonian art scene have left an indelible mark, enriching the cultural heritage of the region. His legacy endures, reminding us of the profound connection between art and the cultural identity of a place. Bowen's works continue to be a source of inspiration, inviting viewers to appreciate the beauty and complexity of Macedonia through his artistic lens.

In 2006, IKON undertook a heartfelt initiative to honour the recently departed artist Denis Bowen. The organization orchestrated a moving exhibition coupled with a round table discussion, creating a space for reflection, celebration, and discourse surrounding the impactful legacy left behind by this distinguished artist.

The "Denis Bowen: A Tribute Exhibition and Round Table Discussion" in 2006 stands as a testament to IKON's commitment to preserving and celebrating the legacies of exceptional artists. By combining the visual richness of the exhibition with the intellectual discourse of the round table discussion, IKON created a space where the life and work of Denis Bowen were honoured, remembered, and perpetuated for generations to come.

In 2004, IKON took the initiative to pay homage to the artistic brilliance of Denis Bowen through a distinguished exhibition held at the National Gallery of Macedonia. This curated showcase became a focal point for art enthusiasts, showcasing the breadth and depth of Bowen's remarkable body of work.

In a landmark collaboration, IKON, alongside esteemed art historian Stella Santacatterina and Adrian Glew, archivist at the Tate Gallery in London, UK, orchestrated an exceptional exhibition in 2008 at the Museum of the City of Skopje. Titled "Denis Bowen: Art as Universal Dimension", this exhibition went beyond traditional curation by intertwining artistic expertise with archival insight, providing visitors with a multifaceted exploration of Denis Bowen's life and works.

In 2007, IKON continued to honour Denis Bowen's artistic legacy by organising a compelling exhibit at the Museum Kumanovo. The exhibition "Denis Bowen: A Journey into Artistic Mastery" allowed visitors to Kumanovo to find themselves in the rich and various works of this renowned artist.

International Virtual Art Colony - Interactive Exhibition 7 European Cities

Cultural Informative Centre - Skopje / July 2000

With the completion of this project, Skopje's cooperation with its sister cities in Europe was launched. The initiative featured the official departments for foreign cooperation, as well as the official departments of culture from the Skopje communities, followed by Bradford in the United Kingdom, Roubaix & Dijon in France, Nurnberg & Dresden in Germany, Krayova in Romania, Istanbul in Turkey, and Waremme in Belgium.

On July 26, 2000, the Internet connected the cities. It is the day when Skopje celebrates International Solidarity Day, when countries from all over the world came together to help the city recover from the devastation of the earthquake.

The artists from the sister cities who participated in this project provided their pieces by email, which were immediately printed, resulting in an interactive display that showcased all relevant movements and trends in the art of these sister cities.

Meeting the New Millennium - Together

The project is realized with the support of the EU Phare Programme for the Development of Culture and the City Hall of Skopje.

WHITE DAWN

Army Hall - Skopje / April 2000

On December 25 1999, it will be six decades since Kosta Solev Racin's lyrical anthology "White Dawn" was published. It is an extraordinary event in Macedonia's cultural and political history. The publication of this seminal literary work has preserved the truth about the circumstances of the destitute, humiliated, mistreated, and exterminated Macedonians. It is a literary masterpiece that calls for a fight for shining ideas, for the free man, and for "the day above all days".

Poetic & artistic map

by Kosta S Racin

Bibliophile edition – map with calligraphic imprints of the poems by Dragutin Avramovski–Gute and the literary supplements by Pero Korobar

Racin's talent marks the times in which his name and work are linked with the dreams of freedom and social justice that have been passed down through generations. Racin founded contemporary Macedonian literature. His poetical name is elevated as a wonderful memorial to the foundation stone of the Macedonian people's war, his history of freedom, and the dignified life of the Man.

His powerful, magnificent anthology "White Dawn" is his finest achievement in poetry, confirming the ability to express the most nuanced thoughts in a language that had long been forbidden and denied.

To commemorate this significant anniversary, the publisher "Kulturen zivot" and the Association for Culture IKON created and published this poetic creative map.

TOGETHER

Makosped hotel - Mavrovo / December 1999

The colony demonstrated that art can overcome misunderstandings, even if the artists are familiar with multiethnic conflicts, hatred, and antagonism...

Art colony for improvement of multiethnic relations

The participants in this artistic colony played a pivotal role in bridging the gap between art and citizens, transcending national boundaries. Through their collective efforts, art took a significant stride towards integration into civil society, marking a profound shift in its accessibility and impact. As a testament to their dedication and contribution, the artists successfully navigated the civil examination, solidifying their place in the societal fabric and affirming the transformative power of art in fostering unity and understanding among diverse communities.

The art colony TOGETHER, supported by the Lions Club VARDAR, the Association for Culture IKON, and the Cultural Informative Centre - Skopje12

Each of the artists conveyed his or her distinctive artistic vision via the work, and it was apparent from the association - living together in Mavrovo for two weeks - that the artists overcame the constraints of daily politics.

Mavrovo was a place where experiences were exchanged and creative opportunities existed, but most importantly, friendships were formed, in which artists of many nationalities (Macedonians, Albanians, Turks, and Walachians) left the creative marks of their time together.

ART HANDCRAFTS

Cultural Informative Centre - Skopje / November 1999

Embarking on a journey through the realms of time, we delve into the essence, heartbeat, and very soul of a bygone era. Within this odyssey, the creations of the following artists are unveiled, individuals who not only hold dear the cherished traditions of the past but also propel them forward through their ingenious craftsmanship. Their exhibited works stand as testaments to a profound connection with our rich heritage and cultural roots, each piece carrying an unmistakable imprint of tradition seamlessly interwoven with the innovative spirit of the present. As we navigate this exploration, we discover a fusion of reverence and evolution, a celebration of the handcrafts that have defined our legacy and the bold expansions that breathe new life into the narrative of our collective identity.

Exhibition

Anastas Dudan, Vangel Dereban, Dijana Tomic-Radevska, Pavel Filev, and Zivko Pejoski

The initiative is the outcome of the cooperation between the Association for Culture IKON and the Cultural Informative Centre in Skopje.

Root, water - nest, bird

Art colony Kicevo - Knezevski monastery / May 1999 // Skopje Summer Festival / June 1999 // Ohrid Summer Festival / August 1999 // Congres str & A str - Boston, USA / October 2000

The project Root, Water - Nest, Bird expresses the perspective of a collection of authors - creatives from various art types and backgrounds (cultural, national, etc.) - on their own destiny and a strong sense of freedom. Presenting intimate and profound encounters with the present moment, hopes and longings, losses, and oneself. Flow from the essence of the group of authors, who were portrayed through a performance rather than "by exhibition". Root, Water, Nest, Bird is a creative drama set around the end of the century. An interior sense that stems from the soil's womb, its roots, the waterways that water it, and the timeless mystery of the presence of "life beyond".

Performance - Installation

All of it impacted the brains and spirits of these authors, and in the end, each of them will acknowledge their own faith. The message and wishes would be: do not walk over (trample upon), humanity's material and spiritual well-being to prevent becoming merely one giant "nothing". It is an attempt to illustrate the concept of "the classical picture" in layers, as well as our time.

We feel that we are creating a new aesthetics, one with a larger meaning, without worrying about whether we will be understood by an ordinary viewer because we must be aware of the creative weakness, which is the most defining feature of twentieth-century art. The interaction with this work of art reveals new analogies and symbolism.

In 1999, the mesmerising performance-installation, "Root, Water-Nest, Bird," made its debut at the Art Colony Kicevo within the enchanting surroundings of Knezevski Monastery. This artistic experience unfolded as part of the Skopje Summer Festival and later graced the Ohrid Summer Festival, leaving an indelible mark on the cultural landscape during the summer of 1999. This innovative fusion of performance and installation art was a testament to the creative spirit flourishing in Macedonia at the turn of the millennium.

In the year 2000, "Root, Water-Nest, Bird" transcended borders and found a new audience in Boston, USA. The international presentation marked a significant milestone in the global recognition of this unique performance-installation.

Participants: Bart Usida, Mari Novotni-Johns, Joan Rays, Brus Bemis, Milan Kohot, Nora Stojanovik, Irena Paskali, Nevzat Bejtuli-Kica and Veronik Epiter

In 2000 this project was supported by MOBIUS-Boston & Cultural-Informative Center Skopje